Giochi dell'Oca e di percorso (by Luigi Ciompi & Adrian Seville)

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Grand Jeu Du Voyage A L'Exposition De 1889 A Paris
Règle du Jeu de l'Exposition

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	primo autore:	Anonimo
	secondo autore:	Non indicato
	anno:	1889
	luogo:	Francia-Nancy
	periodo:	XIX secolo (1°/4)
	percorso:	Percorso di 70 caselle numerate
	materiale:	carta (paper) (papier)
	dimensioni:	500X650 (420X580)
	stampa:	Litografia a colori
	luogo acquisto:	Francia-Neully sur Suize
	data acquisto:	24-05-2017
	dimensioni confezione:
	numero caselle:	70
	categoria:	Agricoltura, Industria, Commercio, Esposizioni, Arti e Mestieri
	tipo di gioco:	Gioco di percorso
	editore:	Ferry E. Editeur à Nancy
	stampatore:	Ferry E. Editeur à Nancy
	proprietario:	Collezione L. Ciompi
	autore delle foto:	L. Ciompi
	numero di catalogo:	2426
	descrizione:	Gioco di 70 caselle numerate, spirale, antiorario, centripeto realizzato in occasione dell'Esposizione del 1889 (centenario della Rivoluzione Francese e della presa della Bastiglia). REGOLE: al centro. "Chaque joueur pour reconnaitre son jeu, doit avoir un jeton ou une marque particulière. Ce jeu se compose de 70 numéros et se joue de la manière suivante: les joueurs prennent deux dés qu'ils jettent chacun leur tour, ils avancent ensuite avec leurs jetons d'autant de points que les dés en auront indiqué. Le joueur qui depasse le N°70, devra retourner en arrière en comptant autant de points qui lui en reste de trop, et les fois suivantes ne plus jouer qu'avec un seul dé. Chaque joueur devra mettre 2 jetons à la caisse pour prix du voyage et se placer au N°2. Qui ira au N°8, paiera 2 pour un verre de champagne. Qui ira au N°9, paiera 6 pour avoir manqué le train et laissera ses partenaires jouer deux fois. Qui ira au N°11, paiera 2 pour se faire soigner et ira au N°15. Qui ira au N°14, paiera 2 pour prendre l'omnibus. Qui ira au N°15, paiera 6 pour son séjour à l'hotel. Qui ira au N°23, paiera 2 pour se rafraichir. Qui ira au N°31, paiera 6 pour aller en voiture. Qui ira au N°32, paiera 4 pour déjeuner et 2 pour la bonne. Qui ira au N°33, paiera 6 pour visiter la Bastille et laissera ses partenaires jouer deux fois. Qui ira au N°37, paiera 2 pour son escapade, restera jusqu'à ce qu'un autre vienne le remplacer, et ira se mettre ensuite au N°42. Qui ira au N°41 paiera 4 et ira au N°37. Qui ira au N°43 paiera 2 pour un bock. Qui ira au N°47, paiera 4 pour téléphonner. Qui ira au N°49, paiera 2 pour assister à la représentation. Qui ira au N°59 paiera 4 et recommencera au N°1. Qui arrivera juste au N°66, paiera 2 une fois seulement pour monter à la Tour Eiffel. Qui sera rencontré par l'un des joueurs paiera 2 et ira reprendre la place que ce dernier occupait. Enfin qui arrivera juste au N°70, en haut de la Tour Eiffel gagnera toute la partie et le contenu de la caisse". CASELLE: con didascalia. Cas. 1): Le diner d'adieu; Cas. 2): Le départ; Cas. 3): muta; Cas. 4): muta; Cas. 5): Le train; Cas. 6): muta; Cas. 7): muta; Cas. 8): La station; Cas. 9): En retard; Cas. 10): Le tunnel; Cas. 11): Déraillement; Cas. 12): Aiguilleur; Cas. 13): Arrivée à Paris - Gare de l'Est; Cas. 14): En omnibus; Cas. 15): Arrivée à l'hotel; Cas. 16): En route pour l'Exposition; Cas. 17): La Madeleine; Cas. 18): Colonne Vendome; Cas. 19): Palais du Trocadéro; Cas. 20): Machine agricoles; Cas. 21): Bazar tunisien; Cas. 22): Pavillon des Colonies; Cas. 23): Laitière suisse; Cas. 24): Pavillon algérien; Cas. 25): Schah de Perse - Rajah de l'Inde; Cas. 26): Pavillon du Ministère de la Guerre; Cas. 27): L'aérostation; Cas. 28): Temple hindou; Cas. 29): Palais des Machines; Cas. 30): Garde républicain; Cas. 31): Fauteuil roulant; Cas. 32): Au Bouillon Duval; Cas. 33): La Bastille et la rue St. Antoine; Cas. 34): Vitrine Groupes divers; Cas. 35): Céramique; Cas. 36): Orgues, pianos, etc.; Cas. 37): Au violon; Cas. 38): Ameublement; Cas. 39): Sapeur-pompier de Paris; Cas. 40): Palais des enfants; Cas. 41): Rck-pocket; Cas. 42): Musique militaire; Cas. 43): La Brasserie; Cas. 44): Habitation lacustre - L'époque de la pierre; Cas. 45): Cabine téléphonique; Cas. 46 / Cas. 47): Habitations étrusque, hébraique, soudanienne et persane; Cas. 48): Le roi des tonneaux; Cas. 49): Théatre des Foiles-Parisiennes; Cas. 50): Jeune fille russe; Cas. 51 / Cas. 52): Les Beaux Arts à l'Exposition Peinture Sculpture; Cas. 53): Touriste anglais; Cas. 54): Carosserie; Cas. 55): Fonderie Cail; Cas. 56): Exploitation forestière; Cas. 57): Campement; Cas. 58): Le tissage; Cas. 59): Accident; Cas. 60): Vente de la Tour Eiffel de l'Imagerie E. Ferry; Cas. 61): Turco. Femme arabe. Peau-Rouge. Méxicain; Cas. 62): Spahi; Cas. 63): Le Dome central; Cas. 64): Pavillon de la ville de Paris; Cas. 65): La Fontaine lumineuse; Cas. 66): Tour Eiffel; Cas. 67): muta; Cas. 68): muta; Cas. 69): muta; Cas. 70): muta. REFERENZA 1 (D'Allemagne, pag. 225): "Grand Jeu Du Voyage A L'Exposition De 1889 A Paris". Nancy, Ferry (1889). Litho. en couleurs. 42x58. Jeu à 70 cases relatant les aventures d'une famille de Nancy durant son voyage à l'Exposition. La dernière case figure la Tou Eiffel.
	bibliografia:	1) D’ALLEMAGNE, H.R.: "Le Noble Jeu de l’Oie", Paris, Libraire Gruend, 1950.
		Esposizione universale di Parigi (1889)
		L'Esposizione universale del 1889 si tenne a Parigi dal 6 maggio al 31 ottobre. La sede era il Campo di Marte, vicino alla Senna. L'evento è ricordato in particolare per la costruzione della Torre Eiffel, posizionata all'entrata della zona espositiva, dopo il Ponte di Iena. La storia L'esposizione cadeva nel centenario della Rivoluzione francese e della presa della Bastiglia, ma anche nel diciottesimo anniversario della Terza Repubblica. La commissione organizzatrice decise di finanziare l'evento (costata in totale 41,5 milioni di franchi rispetto ai 43 previsti con fondi statali e cittadini e con l'aiuto della Banking House Crédit Foncier de France, oltre che con una lotteria. Adolphe Alphand fu il direttore generale dei lavori, Charles Garnier - già progettista dell'Opera di Parigi - era consigliere dell'architettura mentre Charles Vigreux si occupò dei servizi meccanici ed elettrici. Questo fu infatti uno dei primi eventi in cui si sperimentò l'uso dell'elettricità su vasta scala come fonte di energia alternativa al vapore. Le strutture Oltre alla Torre Eiffel, furono costruite diverse strutture per l'Expo, tra cui il Grand Dôme Central di Joseph Bouvard, dedicato alla esposizione di gioielli, profumi e tessuti, la Galerie des Machines, una ricostruzione della Bastiglia, un giardino zoologico e la ricostruzione di un villaggio africano con centinaia di uomini di colore. (Wikipedia, 15/06/17)
		Exposition Universelle (1889)
		The Exposition Universelle of 1889 was a world's fair held in Paris, France, from 6 May to 31 October 1889. It was held during the year of the 100th anniversary of the storming of the Bastille, an event considered symbolic of the beginning of the French Revolution. The fair included a reconstruction of the Bastille and its surrounding neighborhood, but with the interior courtyard covered with a blue ceiling decorated with fleur-de-lys and used as a ball room and gathering place. The 1889 Exposition covered a total area of 0.96 km, including the Champ de Mars, the Trocadéro, the quai d'Orsay, a part of the Seine and the Invalides esplanade. Transport around the Exposition was partly provided by a 3 kilometre (1.9 mi) 600 millimetre (2 ft 0 in) gauge railway by Decauville. It was claimed that the railway carried 6,342,446 visitors in just six months of operation. Some of the locomotives used on this line later saw service on the Chemins de Fer du Calvados. Structures The main symbol of the Fair was the Eiffel Tower, which served as the entrance arch to the Fair. The 1889 fair was held on the Champ de Mars in Paris, which had been the site of the earlier Paris Universal Exhibition of 1867, and would also be the site of the 1900 exposition. Since the lifts had not been completed when the Exposition opened, the first visitors had to walk up to the second floor platform. Workers had worked through the night the day before the exhibition opened to complete the necessary construction needed to safely allow patrons to set foot upon the structure. When speaking of the dedicated workers, M. Salles, the son-in-law of Eiffel made the statement that "no soldier on the battle field deserved better mention than these humble toilers, who, will never go down in history." No one other than construction personnel were allowed higher than the second floor platform. An equally significant building constructed for the fair was the Galerie des machines, designed by architect Ferdinand Dutert and engineer Victor Contamin. It was reused at the exposition of 1900 and then destroyed in 1910. At 111 meters, the Galerie (or "Machinery Hall") spanned the longest interior space in the world at the time, using a system of hinged arches (like a series of bridge spans placed not end-to-end but parallel) made of steel or iron. Although often described as being constructed of steel, it was actually made of iron. There is an extensive description, with illustrations, of the Exposition's two famous buildings in the British journal Engineering (3 May 1889 issue). A follow-up report appears a late issue with this summation: "... the exhibition will be famous for four distinctive features. In the first place, for its buildings, especially the Eiffel tower and the Machinery Hall; in the second place, for its Colonial Exhibition, which for the first time brings vividly to the appreciation of the Frenchmen that they are masters of lands beyond the sea; thirdly, it will be remembered for its great collection of war material, the most absorbing subject now-a-days, unfortunately, to governments if not to individuals; and fourthly, it will be remembered, and with good cause by many, for the extraordinary manner in which South American countries are represented." The 28 June issue of Engineering also mentions a remarkable "Great Model of the Earth" created by Theodore Villard and Charles Cotard. There were unseasonal thunderstorms in Paris during that summer of 1889, causing some distress to the canopies and decoration of the exposition, as reported by the Engineering issues at that time. The Exhibition included a building by the Paris architect Pierre-Henri Picq. This was an elaborate iron and glass structure decorated with ceramic tiles in a Byzantine-Egyptian-Romanesque style. After the Exposition the building was shipped to Fort de France and reassembled there, the work being completed by 1893. Known as the Schoelcher Library, initially it contained the 10,000 books that Victor Schoelcher had donated to the island. Today it houses over 250,000 books and an ethnographic museum, and stands as a tribute to the man it is named after who led the movement to abolish slavery in Martinique. Attractions A "Negro village" (village nègre) where 400 people were displayed constituted the major attraction. Matching closely the opening day of the Exposition, the Opéra Comique premiered on 14 May 1889 with a work specially composed for that event: Jules Massenet's Esclarmonde (debuting American soprano Sybil Sanderson), attracting and entertaining crowds of visitors for the more than 50 evenings the Exposition lasted. At the Exposition, the French composer Claude Debussy first heard Javanese gamelan music, performed by an ensemble from Java. This influenced some of his later compositions. William Stroudley, locomotive superintendent of the London, Brighton and South Coast Railway died (of illness) whilst at the exhibition, where he was exhibiting one of his locomotives. Heineken received the Grand Prix (English: Grand Prize) at the exposition. Buffalo Bill recruited American sharpshooter Annie Oakley to rejoin his "Wild West Show" which performed for packed audiences throughout the Exposition. Other prominent visitors included the Prince of Wales (the future Edward VII) and his wife, Princess Alexandra; artists James McNeill Whistler, Edvard Munch, Rosa Bonheur, Paul Gauguin and Vincent van Gogh; U.S. journalist and diplomat Whitelaw Reid; author Henry James; Filipino patriot Jose Rizal; and inventors Nikola Tesla and Thomas Edison. A central attraction in the French section was the Imperial Diamond, at the time the largest diamond in the world. The Mexican pavilion featured a model of an exotic (for Europeans) Aztec temple, a "combination of archeology, history, architecture, and technology." (Wikipedia, 15/06/17)

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